The Aesthetics of Democracy Eighteenth-Century Literature and Political Economy /

Bibliographic Details
Main Author: Carson, Craig (Author)
Corporate Author: SpringerLink (Online service)
Summary:V, 170 p.
text
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Edition:1st ed. 2017.
Subjects:
Online Access:https://doi.org/10.1007/978-3-319-33963-4
Format: Electronic Book

MARC

LEADER 00000nam a22000005i 4500
001 978-3-319-33963-4
003 DE-He213
005 20240724134928.0
007 cr nn 008mamaa
008 170627s2017 sz | s |||| 0|eng d
020 |a 9783319339634  |9 978-3-319-33963-4 
024 7 |a 10.1007/978-3-319-33963-4  |2 doi 
050 4 |a PN750-759 
072 7 |a DSBD  |2 bicssc 
072 7 |a LIT024030  |2 bisacsh 
072 7 |a DSBD  |x 3ML  |2 thema 
082 0 4 |a 809.033  |2 23 
100 1 |a Carson, Craig.  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Aesthetics of Democracy  |h [electronic resource] :  |b Eighteenth-Century Literature and Political Economy /  |c by Craig Carson. 
250 |a 1st ed. 2017. 
264 1 |a Cham :  |b Springer International Publishing :  |b Imprint: Palgrave Macmillan,  |c 2017. 
300 |a V, 170 p.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 |a Chapter 1: “Biopolitics and the Image Obscured” -- Chapter 2: The Image of Suffering -- Chapter 3: “Only the Shape of Man” -- Chapter 4: “Defoe’s Catastrophic Prose,”. 
520 |a This book offers an original and interdisciplinary interpretation of the relation between aesthetics and modern liberal democracy, uniting the fields of art theory with the democratic political philosophy and modern liberal economic theory. The central argument of the books offers an explanation of the theoretical limitations of the contemporary discourse concerning “political art,” while at the same time illustrating historically how the European and American discourse of modern democracy and political economy developed an explicit stance against the conflation of art and politics. Exposing the unstated presuppositions about our modern liberal democracy, Craig Carson opens a new field of inquiry concerning the role of art, media, and televisual “theater” central to modern politics. 
650 0 |a Literature, Modern  |x 18th century. 
650 0 |a European literature. 
650 0 |a America  |x Literatures. 
650 1 4 |a Eighteenth-Century Literature. 
650 2 4 |a European Literature. 
650 2 4 |a North American Literature. 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer Nature eBook 
776 0 8 |i Printed edition:  |z 9783319339627 
776 0 8 |i Printed edition:  |z 9783319339641 
776 0 8 |i Printed edition:  |z 9783319816418 
856 4 0 |u https://doi.org/10.1007/978-3-319-33963-4 
912 |a ZDB-2-LCM 
912 |a ZDB-2-SXL 
950 |a Literature, Cultural and Media Studies (SpringerNature-41173) 
950 |a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)