Italian Experimental Cinema and Moving-Image Art New Paths, New Perspectives /
| Autor Corporativo: | |
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| Otros Autores: | , |
| Sumario: | XXVI, 436 p. 39 illus., 23 illus. in color. text |
| Lenguaje: | inglés |
| Publicado: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2025.
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| Edición: | 1st ed. 2025. |
| Colección: | Experimental Film and Artists’ Moving Image,
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| Materias: | |
| Acceso en línea: | https://doi.org/10.1007/978-3-031-77896-4 |
| Formato: | Electrónico Libro |
Tabla de Contenidos:
- Part 1. Towards an Italian Experimental Cinema: Pioneers, Early Theory and the Science of the Experimental
- Chapter 1. Futurism and Cinema: A Real and Dreamlike World (Michael Syrimis)
- Chapter 2. The “Experimental” in Early Scientific Film (Maria Ida Bernabei)
- Chapter 3. Everything is Experimental. “Cinema sperimentale” as a Revolution (1934-1943) (Andrea Mariani )
- Part 2. Expanding Cinema Among Industrial, Artistic and Amateur Practices
- Chapter 4. Paths of Experimentation in Italian Industrial Cinema: Olivetti’s Utility Films (Federico Pierotti)
- Chapter 5. Spaghetti Expanded. A brief history of Italian Expanded Cinema (1967-1981) (Jennifer Malvezzi)
- Chapter 6. Mapping Musical Practices in/for Underground Experimental Film (1960–1979) (Alessandro Cecchi)
- Part 3. The Network is the Medium: Television, Video and Pioneers of the Digital Age
- Chapter 7. Art and Television in Italy: A Troubled History (Francesco Spampinato)
- Chapter 8. Uncovering Italian Early Video Art: Pioneers, Exhibitions and Centres (Laura Leuzzi)
- Chapter 9. Italian computer art in the 1980s (Paola Lagonigro)
- Chapter 10. Fade out: Between Cinema and performing arts (Flavia Dalila D’Amico)
- Part 4. Thinking Outside the Box: The Political Places of Media
- Chapter 11. Radical ecologies and experimental videos in the early 1990s (Diego Cavallotti)
- Chapter 12. Working at the Margins: notes on the Cinematic in Italian 21st Century Artistic Practice (Vincenzo Estremo)
- Chapter 13. Amateur/Experimental. The restoration of Italian experimental and artist cinema (Paolo Simoni)
- Chapter 14. Italian Film Artisans Today. Contemporary Artist-run Labs and Analog Filmmakers (Rossella Catanese)
- Part 5. Focus on Personalities
- Chapter 15. Rhythms of vision. Three experimental films by Corrado D’Errico (Denis Lotti)
- Chapter 16. “Experimental cinema is not an end in itself”. Francesco Pasinetti’s role at the beginning of experimentalism (Carlotta Guido)
- Chapter 17. Ragghianti’s Cinématisme. The Critofilms Between Painting and Architecture (Marie Rebecchi)
- Chapter 18. A Cinema of Research: Bruno Munari and Monte Olimpino (Matilde Nardelli)
- Chapter 19. What’s Happening? Antonello Branca and the Documentary as a Happening Form (Milo Adami)
- Chapter 20. Gianfranco Brebbia, the cineamatore territory (Dominique Willoughby)
- Chapter 21. Carmelo Bene: The Agitator (Adrian Martin)
- Chapter 22. Alberto Grifi and a new grammar of vision (Clizia Centorrino)
- Chapter 23. Cine-TV Experiments: La magnifica ossessione, and Beyond (Leonardo Cabrini)
- Chapter 24. Rethinking Filippo Panseca. Technological experimentation and esthetics of communication between the Sixties and the Seventies. (Valentino Catricalà)
- Chapter 25. Politics of the experimental image. Angela Ricci Lucchi & Yervant Gianikian (Miriam De Rosa)
- Chapter 26. Affective Encounters and Experimental Approaches in the Films of Alina Marazzi (Rosanna Maule)
- Chapter 27. Sandro Del Rosario’s Sguardo (Marco Bellano)
- Chapter 28. Film and the Portal. The Experimental Animation of Leonardo Carrano. (Giacomo Ravesi)
- Chapter 29. Printing Cinema? Printed Matter, Exhibition and Film in Rosa Barba’s work (Adeena Mey)
- Chapter 30. Visual Aesthetics of Hacktivism: Paolo Cirio (Carolina Fernández Castrillo)
- Chapter 31. Timeless screens. The Video Pictorialism of Marcantonio Lunardi (Pasquale Fameli)
- Chapter 32. Between culture and technologies: Karmachina (Laura Cesaro).