A Raphael Madonna and Child Oil Painting: A Forensic Analytical Evaluation
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| Corporate Author: | |
| Summary: | XVIII, 316 p. 112 illus., 97 illus. in color. text |
| Language: | English |
| Published: |
Cham :
Springer Nature Switzerland : Imprint: Springer,
2024.
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| Edition: | 1st ed. 2024. |
| Subjects: | |
| Online Access: | https://doi.org/10.1007/978-3-031-72271-4 |
| Format: | Electronic Book |
Table of Contents:
- Chapter 1 : Setting the Scene :The Adoption of Forensic Holistic Analysis in the Attribution of an Artwork and the Role of Connoisseurship
- Chapter 2: The Life and Death of Raffael Sanz di Urbino
- Chapter 3: The de Brécy Tondo: A History Prior to its Purchase in 1981 and Afterwards
- Chapter 4: Scientific Analysis and the Analytical Scientific Evidence for the de Brécy Tondo being a Renaissance Painting
- Chapter 5: The Sistine Madonna
- Chapter 6: Renaissance Pigments and Raphael’s Palette
- Chapter 7: The Application of Artificial Intelligence (AI) to the Attribution of Art Works
- Chapter 8: Case Studies
- Chapter 9: Summary and Conclusions
- Appendix I: Raphael’s Paintings
- Catalogue Raisonee of Professor Jurg Meyer zu Capellen ( 2001-2008)
- Appendix II: Professor Jurg Meyer zu Capellen – Rejected Raphael Painting Attributions and Attributed Raphael Workshop Paintings*
- Appendix III : Dr Luitspold Dussler’s Catalogue Raisonnee of Raphael Paintings
- Appendix IV : Additional Data for Raphael’s Artworks in the Catalogue Raisonee of zu Capellen
- Appendix IV Table 1: Provenance, Preparative Studies , Copies of Original Paintings and Drawings, Prints and Engravings for Attributed
- Raphael Oil Paintings*
- Appendix IV Table 2 : Composition of Raphael’s Madonna and Child Paintings
- Appendix V : Luitpold Dussler - Rejected Raphael Attributions.