Etudes on the Philosophy of Music
| Main Authors: | , |
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| Korporativna značnica: | |
| Izvleček: | XVI, 307 p. text |
| Jezik: | angleščina |
| Izdano: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2024.
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| Izdaja: | 1st ed. 2024. |
| Teme: | |
| Online dostop: | https://doi.org/10.1007/978-3-031-63965-4 |
| Format: | Elektronski Knjiga |
Kazalo:
- 1. Introduction
- 2. The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect)
- 3. Music – a Part of Spiritual Culture
- 4. The Fundamental Elements of Musical Expression
- 5. Some Principles of Baroque Aesthetics which are Important for Musical Expression
- 6. Voice and Sound
- 7. Music and Language
- 8. Music and Time
- 9. Musical Rhythm
- 10. Musical Articulation
- 11. Musical Agogics
- 12. Musical Phrasing
- 13. Sign and Expression
- 14. The Foreground and Background (Inner) Dimensions (Forms) of a Musical Work
- 15. The Text and the Work
- 16. Interpretation (the Main Form of the Manifestation of Music)
- 17. The Transcendental Quality of a Musical Work
- 17. The Concept of Creativity (and its Importance for Musical Expression)
- 18. Instrumentalising Creativity – Depriving Musical Expression of Meaning
- 19. The Logic of Music
- 20. A Philosophical Approach to Musical Expression: Necessity or Possibility
- 21. Significance and Meaning (the Given and the Goal)
- 23. Musical Thinking
- 24. Arnold chönberg on Musical Thought
- 25. Anton Webern on the “Saying” of Music
- 26. Ernest Ansermet on Music and its Performance
- 27. The Phenomenological Approach to Musical Expression. 28. Conclusion.