Musical Scenes and Social Class Debating Punk and Metal /
| مؤلف مشترك: | |
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| مؤلفون آخرون: | , |
| الملخص: | XIII, 240 p. 17 illus., 13 illus. in color. text |
| اللغة: | الإنجليزية |
| منشور في: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2024.
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| الطبعة: | 1st ed. 2024. |
| سلاسل: | Pop Music, Culture and Identity,
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-3-031-56506-9 |
| التنسيق: | الكتروني كتاب |
جدول المحتويات:
- 1.Romain Garbaye and Gérôme Guibert, Université Sorbonne Nouvelle
- Introduction : social class, punk and metalClass domination and class agency
- 2.Andy Brown, independent researcher : Resistance Through Music
- Exploring the role of class fraction appropriations and alliances in the subcultural formation of heavy metal, classic, post and present
- _3 .Deirdre Gilfedder, Université Paris-Dauphine : The early punk scene in Brisbane, Australia as site of social and postcolonial
- 4. Jeremy Tranmer, Université de Lorraine: “Victory to the Miners!” Punk and the Miners’ Strike of 1984/85
- Subcultures, sub-genres and social class
- 5.Timothy Heron, Université de Strasbourg : ‘“Rotting in the suburbs” ? Voicing Working-Class Deprivation in 1970s Northern Ireland Punk Songs
- 6.Guillaume Clément, Université de Rennes : Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands
- 7. Eric Smialek, Huddersfield University : Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses
- Evolving audiences : ageing, gentrification, feminization?
- 8. Pierig Humeau, Université de Limoges : « We're dominated, So What" ? We Don't Give a F**k : Punk Stylistic Spaces, Social Classes and Political-artistic Ageing" inFrance
- 9.Rosemary Lucy Hill, Huddersfield University, Molly Megson, University of Hull, and David Hesmondhalgh, University of Leeds : Sexual Violence in the Pit
- 10. Corentin Charbonnier, Université de Tours : Gentrifying metal ? The Evolving Gender and Social Class characteristics of Metal Festival Audiences : A Statistical Study of the HellfestFestival (France)
- 11.Charlène Bénard, Université Sorbonne Nouvelle: Who listens to « metal for girls » ? Metal, orchestra and female voices: measuring the reception of symphonic metal.