|
|
|
|
| LEADER |
00000nam a22000005i 4500 |
| 001 |
978-3-031-41276-9 |
| 003 |
DE-He213 |
| 005 |
20250807135502.0 |
| 007 |
cr nn 008mamaa |
| 008 |
240102s2024 sz | s |||| 0|eng d |
| 020 |
|
|
|a 9783031412769
|9 978-3-031-41276-9
|
| 024 |
7 |
|
|a 10.1007/978-3-031-41276-9
|2 doi
|
| 050 |
|
4 |
|a PN760.5-769
|
| 072 |
|
7 |
|a DSBF
|2 bicssc
|
| 072 |
|
7 |
|a LIT024040
|2 bisacsh
|
| 072 |
|
7 |
|a DSBF
|2 thema
|
| 082 |
0 |
4 |
|a 809.034
|2 23
|
| 100 |
1 |
|
|a Caron, James E.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
|
| 245 |
1 |
4 |
|a The Modern Feminine in the Medusa Satire of Fanny Fern
|h [electronic resource] /
|c by James E. Caron.
|
| 250 |
|
|
|a 1st ed. 2024.
|
| 264 |
|
1 |
|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2024.
|
| 300 |
|
|
|a XIII, 217 p. 1 illus.
|b online resource.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 341 |
0 |
|
|b Table of contents navigation
|2 onix
|
| 341 |
0 |
|
|b Single logical reading order
|2 onix
|
| 341 |
0 |
|
|b Use of color is not sole means of conveying information
|2 onix
|
| 341 |
0 |
|
|b Use of high contrast between text and background color
|2 onix
|
| 341 |
0 |
|
|b Next / Previous structural navigation
|2 onix
|
| 341 |
0 |
|
|b All non-decorative content supports reading without sight
|2 onix
|
| 347 |
|
|
|a text file
|b PDF
|2 rda
|
| 490 |
1 |
|
|a Palgrave Studies in Nineteenth-Century Writing and Culture,
|x 2634-6508
|
| 505 |
0 |
|
|a 1 Introduction: Fanny Fern and the Mob of Scribbling Women -- 2 Sara Payson Willis Parton’s (Comic) Preacher, Fanny Fern -- 3. The Satirist and Her Public -- 4 Satirizing Gender Expectations: Fanny Fern as the Impossible Subject -- 5 Creating Comic Community: Scathing Epithets, Caricature, and Comic Violence -- 6 Constructing Fanny Fern as Satirist -- 7 Fanny Fern’s Significance in the American Comic Tradition.
|
| 520 |
|
|
|a The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.
|
| 532 |
8 |
|
|a Accessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
|
| 532 |
8 |
|
|a No reading system accessibility options actively disabled
|
| 532 |
8 |
|
|a Publisher contact for further accessibility information: accessibilitysupport@springernature.com
|
| 650 |
|
0 |
|a Literature, Modern
|x 19th century.
|
| 650 |
|
0 |
|a America
|x Literatures.
|
| 650 |
|
0 |
|a Comedy.
|
| 650 |
1 |
4 |
|a Nineteenth-Century Literature.
|
| 650 |
2 |
4 |
|a North American Literature.
|
| 650 |
2 |
4 |
|a Comedy Studies.
|
| 710 |
2 |
|
|a SpringerLink (Online service)
|
| 773 |
0 |
|
|t Springer Nature eBook
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783031412752
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783031412776
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783031412783
|
| 830 |
|
0 |
|a Palgrave Studies in Nineteenth-Century Writing and Culture,
|x 2634-6508
|
| 856 |
4 |
0 |
|u https://doi.org/10.1007/978-3-031-41276-9
|
| 912 |
|
|
|a ZDB-2-LCM
|
| 912 |
|
|
|a ZDB-2-SXL
|
| 950 |
|
|
|a Literature, Cultural and Media Studies (SpringerNature-41173)
|
| 950 |
|
|
|a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
|