Multilingual Dramaturgies Towards New European Theatre /

Bibliographic Details
Main Author: Lech, Kasia (Author)
Corporate Author: SpringerLink (Online service)
Summary:XV, 273 p. 37 illus., 3 illus. in color.
text
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2024.
Edition:1st ed. 2024.
Series:New Dramaturgies,
Subjects:
Online Access:https://doi.org/10.1007/978-3-031-40624-9
Format: Electronic eBook
Table of Contents:
  • Chapter1. Multilingual Dramaturgies: Theories, Politics, and European landscape
  • Part I: Questions Of Language
  • Chapter 2. The Failures of Multilingual Dramaturgies: The blind poet by Needcompany
  • Chapter 3. Multisensory, Multilingual Dramaturgy as a Tool for Social Change: Nie Mów Nikomu (Don’t Tell Anyone) by Scena Robocza.-Chapter 4. Dramaturgy of Incomprehensibility and Encounter in Odin Teatret’s The Tree
  • Part II: Multilingual Adaptations
  • Chapter 5. Multilingual Histories of Europe: Sir David Pountney on The Passenger and Memories of Auschwitz
  • Chapter 6. Multilingualism as Mask and Virus: The Dialogue with Tradition in the Theatre of Radosław Rychci
  • Chapter 7. Actors as Creators of Multilingual Dramaturgies: Teatro Inverso and Their Transnational Adaptations
  • Part III: Local And Trans-Local Tales Of Cities And Their Communities
  • Chapter 8. Dramaturging the Multilingual Community: Dramaturg Nina Thunnissen on the Work of Frisian Tryater
  • Chapter 9. Multilingualismand Dramaturgy of History and Democracy: the Lithuanian National Theatre’s Žalia pievelė
  • Chapter 10. Local and Global Politics in Malmö’s Teater Foratt and Teater JaLaDa
  • Part IV:Webbed Dramaturgies
  • Chapter 11. Towards Porous Europe: Multilingual Dramaturgies in Rimini Protokoll’s 100% City
  • Chapter 12. Towards Aesthetics of Transatlantic Theatre: Multilingualism in SignDance Collective International’s production of Carthage/Cartagena by Caridad Svich.-Chapter 13. Making Europe: How Anne Bérélowitch’s Directorial and Training Practices Open Spaces for New Multilingual Dramaturgies
  • Chapter 14. Towards New European Theatre.