Is it French? Popular Postnational Screen Fiction from France
| Համատեղ հեղինակ: | |
|---|---|
| Այլ հեղինակներ: | , |
| Ամփոփում: | XXIII, 302 p. 38 illus., 34 illus. in color. text |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2023.
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| Հրատարակություն: | 1st ed. 2023. |
| Շարք: | Palgrave European Film and Media Studies,
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| Խորագրեր: | |
| Առցանց հասանելիություն: | https://doi.org/10.1007/978-3-031-39195-8 |
| Ձևաչափ: | Էլեկտրոնային Գիրք |
Բովանդակություն:
- 1. Introduction: The Expanding Imagination of Mainstream French Films and Television Series
- Part I New Figures, New Voices
- 2. From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero’s Dix pour cent and Drôle
- 3. Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution
- 4. Alexandre Aja: A Postnational Genre Auteur?
- Part II Embodying the Postnational: Fans, Filmmakers, Action Spectaculars
- 5. An Alternative to Hollywood? EuropaCorp’s “Blockbusters” and the Global Audience
- 6. The Limits of Luc Besson’s “Made-in-France” Blockbusters: From the Transnational to the Postnational in Valerian and Anna
- 7. Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema
- Part III French Femininity and (Post)Feminism
- 8. Charlotte Rampling Made in France: From a National toa Postnational Identity
- 9. National and Postnational Femininity in Engrenages: The Limits of Empowerment
- 10. Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture
- Part IV Industry Players: From Product to Brand
- 11. Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era
- 12. Netflix’s Lupin: Cultural Heritage and Internationalisation in the Age of Global SVoD Platforms
- 13. An Industry Perspective on Dix pour cent and Ten Percent. Interview with Harold Valentin and Christian Baute.