The Palgrave Handbook of Screenwriting Studies
| Institutionell upphovsman: | |
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| Övriga upphovsmän: | , , |
| Sammanfattning: | XLI, 818 p. 39 illus., 16 illus. in color. text |
| Språk: | engelska |
| Publicerad: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2023.
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| Upplaga: | 1st ed. 2023. |
| Ämnen: | |
| Länkar: | https://doi.org/10.1007/978-3-031-20769-3 |
| Materialtyp: | Elektronisk Bok |
Innehållsförteckning:
- 1.Introduction
- Part I: What Screenwriting ontology: Defining the screenplay and screenwriting
- 2. How to Think about Screenwriting
- 3. Screenplectics: Screenwriting as a Complex Adaptive System
- 4. Collaboration, Cooperation, and Authorship in Screenwriting aka How Many People Does It Take to Create an Author?
- 5. Acts of Reading: The Demands on Screenplay Reading
- 6. The Reality of (Screen) Characters
- 7. “We Come to Realize”: Screenwriting and Representations of Time
- 8. The Motion-Picture Screenplay as Data: Quantifying the Stylistic Differences Between Dialogue and Scene Text
- 9. Writer/Reader as Performer: Creating a Negotiated Narrative.-10. An Ontology of the Interactive Scripts
- PART II: When/Where Screenwriting Historiography
- 11. Historiographies of Screenwriting
- 12. They Actually Had Scripts in Silent Films? Researching Screenwriting in the Silent Era
- 13. Silent Screenwriting in Europe: Discourses on Authorship, Form, and Literature
- 14. When Women Wrote Hollywood: How Early Female Screenwriters Disappeared from the History of the Industry They Created. A Case Study of Four Female Screenwriters
- 15. Narrating with Music: Screenwriting Musical Numbers
- 16. Women Screenwriters of Early Sinophone Cinema: 1916–1949
- 17. A Historiography of Japanese Screenwriting
- 18. Writing Social Relevance: U.S. Television Dramas in the Civil Rights Era
- 19. Horror Bubbles: Andrés Caicedo’s Weird Screenplays
- 20. Writers as Workers: The Making of a Film Trade Union in India
- 21. The Evolving Depictions of Black South Africans in the Post-Apartheid Screenwriting Tradition
- PART III: Who Screenwriting and the Screen Industries
- 22. The International Writers’ Room: A Transnational Approach to Serial Drama Development from an Italian Perspective
- 23. Writing Online Drama for Public Service Media in the Era of Streaming Platform
- 24. Screenwriting for Children and Young Audiences
- 25. Imitations of Life? A Challenge for Black Screenwriters
- 26. Beauties and Beasts: The Representation of National Identity through Characterization in Syrian-Lebanese Pan-Arab Dramas
- 27. “That’s a Chick’s Movie!”: How Women Are Excluded from Screenwriting Work
- 28. The Different American Legal Structures for Unionization of Writers for Stage and Screen
- PART IV: How Approaches to Screen Storytelling
- 29. Random Access Memories: Screenwriting for Games
- 30. “Everybody Chips in Ten Cents, and Somehow It Seems to Add Up to a Dollar”: Exploring the Visual Toolbox for Animation Story Design
- 31. The Short-Form Scripted Serial Drama: The Novice Showrunner’s New Opportunity
- 32. The Plural Protagonist. Or: How To Be Many and Why
- 33. The Haptic Encounter: Scripting Female Subjectivity
- 34. Script Development from the Inside Looking Out.Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina, 2017)
- 35. Extended How? Narrative Structure in the Short and Long Versions of The Lord of the Rings, Kingdom of Heaven, and Dances with Wolves
- PART V: How To Researching and Teaching Screenwriting: Discourses and Methods
- 36. Film Dramaturgy: A Practice and a Tool for Researchers
- 37. Screenwriting Pedagogy in the United States: In Search of the Missing Pieces
- 38. Screenwriting Manuals and Pedagogy in Italy from the 1930s to the End of the 20th Century
- 39. Screenwriting, Short Film, and Pedagogy
- 40. Screenwriters in the Academy: The Opportunities of Research-Led Practice.