Gender, Cinema, Streaming Platforms Shifting Frames in Neoliberal India /

Chi tiết về thư mục
Tác giả của công ty:	SpringerLink (Online service)
Tác giả khác:	Chakraborty Paunksnis, Runa (Biên tập viên), Paunksnis, Šarūnas (Biên tập viên)
Tóm tắt:	XIII, 285 p. text
Ngôn ngữ:	Tiếng Anh
Được phát hành:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Phiên bản:	1st ed. 2023.
Những chủ đề:	Motion pictures > Asia. Gender identity in mass media. Motion picture industry. Television broadcasting. Digital media. Asian Film and TV. Media and Gender. Film and Television Industry. Digital and New Media.
Truy cập trực tuyến:	https://doi.org/10.1007/978-3-031-16700-3
Định dạng:	Điện tử Sách

Mục lục:

Chapter 1. Introduction
Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram
Chapter 3. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven
Chapter 4. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven
Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms
Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema
Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema
Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzar’s Raazi
Chapter 9. India’s Daughter: The Banality of Rape
Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Women’s Documentary Practice in Indian Subcontinent
Chapter 11. On Cinematic Transformation, Gender and Religion.An Interview with Ashish Avikunthak.

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