Research-Based Art Practices in Southeast Asia The Artist as Producer of Knowledge /
| Auteur principal: | |
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| Collectivité auteur: | |
| Résumé: | VI, 283 p. 12 illus. text |
| Langue: | anglais |
| Publié: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2022.
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| Édition: | 1st ed. 2022. |
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| Accès en ligne: | https://doi.org/10.1007/978-3-031-09581-8 |
| Format: | Électronique Livre |
Table des matières:
- 1. Introduction
- 2. Research-based art practices: Context and framework
- 3. Birth of a new art language
- 4. The artist-researcher
- 5. The artist producer of knowledge: cultural activism in Tiffany Chung’s The Vietnam Exodus Project (2009- )
- 6. Reactivating mythologies in Wah Nu and Tun Win Aung’s The Name series (2008- )
- 7. Beyond the artist’s discourse: implicit and sensuous knowledge in Khvay Samnang’s Preah Kunlong (2017)
- 8. Emancipatory modes of knowledge production in Ho Tzu Nyen’s The Critical Dictionary of Southeast Asia (2003/2012- ongoing)
- 9. Conclusion. .