The Cultural and Artistic Legacy of Oliver Mtukudzi Using Language for Social Justice /

The Cultural and Artistic Legacy of Oliver Mtukudzi Using Language for Social Justice /

Bibliographic Details
Corporate Author: SpringerLink (Online service)
Other Authors: Nyakudya, Munyaradzi (Editor), Chinouriri, Bridget (Editor), Mateveke, Pauline (Editor), Chitando, Ezra (Editor)
Summary:XVII, 268 p. 2 illus.
text
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Edition:1st ed. 2022.
Subjects:
Popular music.
Ethnology > Africa.
Culture.
Africa > Politics and government.
Social justice.
Popular Music.
African Culture.
African Politics.
Social Justice.
Online Access:https://doi.org/10.1007/978-3-030-97200-4
Format: Electronic Book
Table of Contents:
  • Chapter 1: Culture, Language, Human Rights and Politics in Oliver Mtukudzi’s Music
  • Part I: “Fearfully and Wonderfully Made”: Mtukudzi and African Cultural Pride
  • Chapter 2: “Dada Nerudzi Rwako”: Championing African Identities in Oliver Mtukudzi’s Music
  • Chapter 3: Tuku Music as a Site of Cultural Embodiment
  • Chapter 4: Exploring the Nhaka Concept in Oliver Mtukudzi’s Music
  • Part II: “Language as Identity”: Mtukudzi and the Language Question in Africa
  • Chapter 5: A Stylistic Analysis of ‘Neria,’ a Song by Oliver Mtukudzi
  • Chapter 6: A Semantic Analysis of Metaphors Found in Selected Lyrics of Oliver Mtukudzi’s Songs
  • Chapter 7: An Exploration of Metaphoric Images in Oliver Mtukudzi’s Songs on HIV/AIDS
  • Chapter 8: A Stylistic Study of Figurative Language in Oliver Mtukudzi’s Selected Songs
  • Chapter 9: The ‘I’ in Oliver Mtukudzi’s Music: Autobiographical Memory and the Fragmented Self in Selected Songs
  • Chapter 10: “Pakare Paye”: Music as Media for Communicating Values in the Family Governance System—The Case of Oliver Mtukudzi’s Songs
  • Part III: Mtukudzi as a Human Rights Defender and “Theologian”
  • Chapter 11: Championing Marital Harmony Through Music: An Examination of Four Selected Songs by Oliver Mtukudzi
  • Chapter 12: Music and Human Rights in Zimbabwe: An Analysis of Oliver Mtukudzi’s Messages
  • Chapter 13: Oliver Mtukudzi’s Theology: A Literary Analysis of Selected Gospel Songs
  • Part IV: “Walking the Tightrope”: Playing Politics with Politics in a Challenging Environment
  • Chapter 14: The Corpse as Political Capital: Oliver Mtukudzi’s Funeral and Political Contestation in Post-colonial Zimbabwe
  • Chapter 15: Music and Politics in Mashava: An Analysis of Selected Songs by the Late Oliver Mtukudzi
  • Chapter 16: Stance Accounts of Political and Religious Identities in ‘Tuku’ MusicTuku’ Music.

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