Technologies of Feminist Speculative Fiction Gender, Artificial Life, and the Politics of Reproduction /

Bibliographic Details
Corporate Author: SpringerLink (Online service)
Other Authors: Vint, Sherryl (Editor), Buran, Sümeyra (Editor)
Summary:XVIII, 353 p.
text
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Edition:1st ed. 2022.
Series:Palgrave Studies in Science and Popular Culture,
Subjects:
Online Access:https://doi.org/10.1007/978-3-030-96192-3
Format: Electronic eBook
Table of Contents:
  • 1. Introduction: Sociotechnical Design and the Future of Gender
  • Part I Reproductive Technologies
  • 2. Ectogenesis on the NHS: Reproduction and Privatization in Twenty-first-Century British Science Fiction
  • 3. Being an Artificial Womb Machine-Human
  • 4. Environmental Sterilization through Reproductive Sterilization in Sarah Hall’s The Carhullan Army
  • 5. Groomed for Survival – Queer Reproductive Technologies and Cross-Species Assemblages in Larissa Lai's The Tiger Flu
  • Part II Reimagining the Woman
  • 6. A Housewife’s Dream? Automation and the Problem of Women’s Free Time
  • 7. Motherhood Beyond Woman: I Am [a Good] Mother and Predecessors Onscreen
  • 8. Gender and Reproduction in the Dystopian Works of Sayaka Murata
  • 9. Cyborg Separatism: Feminist Utopia in Athena’s Choice
  • Part III Queering Gender
  • 10. Drowning in the Cloud: Water, the Digital and the Queer Potential of Feminist Science Fiction
  • 11. Making the Multiple: Gender and the Technologies of Multiplicity in Cyberpunk Science Fiction
  • 12. Lesbian Cyborgs and the Blueprints for Liberation
  • Part IV Posthuman Females
  • 13. Becoming Woman: Healing and Posthuman Subjectivity in Garland’s Ex Machina
  • 14. Female Ageing and Technological Reproduction. Feminist Transhuman Embodiments in Jasper Fforde’s The Woman Who Died A Lot
  • 15. ‘Growgirls’ and Cultured Eggs: Food Futures, and Feminism in SF from the Global South
  • 16. Reproductive Futurism, Indigenous Futurism, and the (Non)Human to Come in Louise Erdrich’s Future Home of the Living God.