The Palgrave Handbook of Script Development

The Palgrave Handbook of Script Development

Opis bibliograficzny
Korporacja: SpringerLink (Online service)
Kolejni autorzy: Taylor, Stayci (Redaktor), Batty, Craig (Redaktor)
Streszczenie:XXVII, 617 p. 35 illus., 13 illus. in color.
text
Język:angielski
Wydane: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Wydanie:1st ed. 2021.
Hasła przedmiotowe:
Motion picture authorship.
Motion pictures > Production and direction.
Screenwriting.
Film and Television Production.
Dostęp online:https://doi.org/10.1007/978-3-030-82234-7
Format: Elektroniczne Książka
Spis treści:
  • Part 1: ‘Behind the scenes’ of script development
  • Chapter 1: The Feedback Phenomenon: dealing with multiple voices in the development of original screenplays
  • Chapter 2: Script Readers as Gatekeepers: demystifying processes of script coverage
  • Chapter 3: A Creative Pilgrimage: negotiating Authenticity, Creativity and Budget in the medieval web series Tales of Bacon
  • Chapter 4: Creating the Low Budget Feature Film Script: development as emergence
  • Chapter 5: Script Development on Unscripted Television: Grand Designs and the spectacle of the reveal
  • Chapter 6: Saying What Must Not Be Said: exploring communication in the script development process
  • Chapter 7: Scripting Creative Documentary Film: developing the ‘Script’ for Not Reconciled
  • Chapter 8: Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian showrunner
  • Chapter 9: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development
  • Chapter 10: The Business of Script Development: insights from industry practitioners
  • Part 2: Script Development in Time and Place
  • Chapter 11: Doctoring La Cacería, las niñas de Alto Hospicio: issues in cross-cultural script consulting
  • Chapter 12: Script development as a collective enterprise: the writing of the indigenous feature film Waru
  • Chapter 13: Independent, Short and Controversial: the script development of San Sabba
  • Chapter 14: How Angelica Became The Strange Case of Angelica: from the idea to the script to the book to the film
  • Chapter 15: Scripting for the Masses: notes on the political economy of Bollywood
  • Chapter 16: Respectful Partnerships/Cultural Integrity: applying ethical protocols to the scripting of No Longer a Wandering Spirit
  • Chapter 17: Writers’ Room and Showrunner: discourses and practices in the German TV industry
  • Chapter 18: The ASEAN ROK RICE LAB: voices across Asia, stories about rice
  • Chapter 19: 1 + 1 = 3: Danish collaborative practice in screen idea and story development
  • Chapter 20: Scottish Modernism Goes to New Hollywood: tracing the script development of Alan Sharp’s Night Moves
  • Part 3: Alternative Approaches
  • Chapter 21: Creating Kaleidoscopic Characters: working with performance to develop character stories prior to the screen story
  • Chapter 22: Lean Script Development in the Available Materials School of Filmmaking: this is dedicated to The One I Love
  • Chapter 23: Pedagogy-Led Practice and Practice-Led Pedagogy: a feedback loop of teaching and screenwriting
  • Chapter 24: A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: researching the script development process
  • Chapter 25: Scripting and the Multimodal Screenplay within the Script Development Process
  • Chapter 26: Don’t eat my baby: collisions, development and Indigenous consultation in the Australian family feature film screenplay, Dingo
  • Chapter 27: The Application of an ‘Eternal Dance’ Methodology in the Development of an Original Screenplay
  • Chapter 28: A Collaborative Reflection Between Writer, Director and Actors: table reading as scriptwriting ‘intervention’
  • Chapter 29: Hitting the Road: performing the journey as a development strategy in Paris, Texas and Goodbye Pork Pie
  • Chapter 30: Development Across the Intercultural Divide: scripting stories with ‘other’ groups
  • Part 4: Unique Contexts of Script Development
  • Chapter 31: Productive Interventions: collaborative script development for stories about mental health issues and suicide
  • Chapter 32: Place, presence and play: A listening, co-active approach to story development
  • Chapter 33: Crafting immersive experiences: a case study of the development of three short narrative cinematic virtual reality (CVR) projects
  • Chapter 34: Script Development as Communicative Process: the case of Notorious
  • Chapter 35: Between video games and televisionshows, towards meta script development practices?
  • Chapter 36: Developing Texts for Animated Opera: a unique case study
  • Chapter 37: From Comedy to Drama: the curious case study of Queenpin
  • Chapter 38: ‘You never know who is in control’: German transmedia content development
  • Chapter 39: Violet City: script development from novel to green screen fantasy feature
  • Chapter 40: Checking The Black List Twice: the ambiguous industry role of script development services.

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