Musical Entanglements between Germany and East Asia Transnational Affinity in the 20th and 21st Centuries /
| מחבר תאגידי: | |
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| מחברים אחרים: | |
| סיכום: | XIX, 303 p. 6 illus. text |
| שפה: | אנגלית |
| יצא לאור: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2021.
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| מהדורה: | 1st ed. 2021. |
| סדרה: | Palgrave Series in Asian German Studies,
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| נושאים: | |
| גישה מקוונת: | https://doi.org/10.1007/978-3-030-78209-2 |
| פורמט: | אלקטרוני ספר |
תוכן הענינים:
- Chapter 1: The Idea of Entanglement, Historiography, and Organization
- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students
- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer
- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong
- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945
- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors
- Chapter 5: The “Oriental” Utopia: Postwar Orientalism and Ferruccio Busoni’s Opera Turandot
- Chapter 6: Reimagining China in Interwar German Opera: Eugen d’Albert’s Mister Wu and Ernst Toch’s Der Fächer
- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949
- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power
- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers
- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity
- Chapter 10: When “Japanese” Music Became “Modern” Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency
- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art
- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.