Sisällysluettelo:
  • 1. Introduction
  • Part I. Race and Racism in Contemporary Theatre
  • 2. The American Theatrical Canon and the Struggle for Racial Equality in British Theatre
  • 3. Racialization and Contemporary German Theatre
  • 4. Dangerous Dialogues': Questioning Constructions of Race in South Pacific Theatre
  • 5 Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada
  • 6. Representing the Roma Experience on the Contemporary Romanian Stage: The Intersectional Lenses of Giuvlipen’s Anti-racist and Feminist Theatre Works
  • Part II. War, Conflict and the Nation
  • 7. Race as Category in Nazi German Theatre
  • 8. Māori Theatre in Not-Quite-Post-Colonial Aotearoa New Zealand
  • 9. Racial Nationalism and the Serbian Theatre: From Radovan III to DAH
  • 10. The Palestinians in the Israeli Theatre
  • 11. Faces of a Long Unspoken Collective Trauma: Theatrical Representations of Friendship, Love, Betrayal, andPain in the Landscape of War in Contemporary Turkey
  • 12. Staging Race in White South African Afrikaans Theatre
  • Part III. Blackness and the African Diaspora
  • 13. In the Prison of Their Skins: Performing Race in Caribbean Theatre
  • 14. Black Women in Post-revolutionary Cuban Theatreer
  • 15. Black Performances and Black Artists Performing in Contemporary Brazil
  • 16. Lackface: Blackface Masking in Contemporary US Theatre
  • 17. Fighting Racism on the Contemporary Francophone Stage
  • 18. ‘Though we are written into the landscape you don’t see us’ (Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking
  • Part IV. Constructions of Whiteness and the ‘Other’
  • 19. ‘A Wretched Caricature…Unworthy of America’: Charles Mathews’s Representation of the Yankee
  • 20. The Language of Blackness: Representations of Africans and African-Americans on the British Stage After Uncle Tom’s Cabin
  • 21. Susan Glaspell’s Trifles and Inheritors: White Settler Hunger, Debt and the Blackhawk Purchase Lands
  • 22. Beyond the Peyote Dance: The Raramuri Tribe and ‘Mexico’ Representations in Antonin Artaud’s Work
  • 23. Representing and Re-presenting Others in Yorùbá Performance
  • 24. Pigs and Dogs and The Bogus Woman: Racialized Performance in Anglo-British Women Playwrights
  • 25. Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre.