Chinese Independent Animation Renegotiating Identity in Modern China /
| Main Author: | |
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| Corporate Author: | |
| Summary: | XII, 222 p. 42 illus. text |
| Language: | English |
| Published: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2020.
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| Edition: | 1st ed. 2020. |
| Series: | Palgrave Animation,
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| Subjects: | |
| Online Access: | https://doi.org/10.1007/978-3-030-40697-4 |
| Format: | Electronic Book |
Table of Contents:
- Introduction
- ‘Postsocialism’ and ‘Independence’
- Chapter 1: A dispersed 'independent' ecology
- 1.1 The Meishu Legacy
- 1.2 An Emergent ‘Animation Industry’
- 1.3 The Pioneer of Chinese Independent Animation – Shanke
- 1.4 Toward an ‘Ecological’ Conception of Independent Animation
- Chapter 2: Understanding the Ecology of Independent Chinese Animation within the context of China's Post-Socialist Reality
- 2.1 Minjian Individuality
- 2.2 From production pipeline to platform: the CIAFF
- 2.3 Conclusion: Assembling Ambiguous Contradictions
- Chapter 3: The Imaginative World of Pisan
- 3.1 Pisan – Redefining ‘Independence’
- 3.2 An Icon of Resistance – Kuangkuang
- 3.3 Parallel ‘Realities’ in Miss Puff
- 3.4 ‘Parallel’ Responses of Pisan Within the Chinese Media Ecology
- 3.5 Conclusion
- Chapter 4: Lei Lei: A 'third way': Lei Lei and the Festival circuit
- 4.1 The journey towards independence
- 4.2 Early ‘rebellion’ through animationFace (2007)
- 4.3 Post-socialist ‘reality’ and collective ‘identity’
- 4.4 Lei Lei's Transcendent Response to the Media Ecology
- 4.5 Conclusion
- Chapter 5: The Future Prospect of the Chinese Independent Animation Ecology
- 5.1 The mainstream path: a national ideology of Chineseness
- 5.2 The evolving independent path: disoriented individual identity
- 5.3 An ideological mirror: Piercing I
- 5.4 Conclusion
- Chapter 6: Conclusion. .