Collective Participation and Audience Engagement in Rap Music
| 第一著者: | |
|---|---|
| 団体著者: | |
| 要約: | XI, 150 p. 6 illus. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer International Publishing : Imprint: Palgrave Pivot,
2019.
|
| 版: | 1st ed. 2019. |
| シリーズ: | Pop Music, Culture and Identity,
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-030-25377-6 |
| フォーマット: | 電子媒体 図書 |
目次:
- 1. Introduction
- 2. Call-and-Response in Rap Music
- 3.“Rock the House:” Emceeing and Collective Participation in Rap Music’s Formative Years (1974–1978)
- 4. “Keeping It Real Live!” Maintaining Collective Participation on Records
- 5. “Coming to You Live and Direct!”: Performing Liveness and Immediacy on Record
- 6. Intertextuality in Rap Lyrics
- 7. From the Stage to the Booth to the Stage: Sustaining Collective Engagement During Live Performance
- 8. Rap Music and Singing Along to the N-word
- 9. Discussing Collective Participation and Audience Engagement with Sugarhill Gang’s Master Gee
- 10. Conclusion.