Cosmopolitanism and Transatlantic Circles in Music and Literature
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| الملخص: | XV, 305 p. 19 illus. text |
| اللغة: | الإنجليزية |
| منشور في: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
|
| الطبعة: | 1st ed. 2018. |
| سلاسل: | Palgrave Studies in Music and Literature,
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-3-030-01860-3 |
| التنسيق: | الكتروني كتاب |
جدول المحتويات:
- 1. Introduction: Traversing Time, Place, and Space
- 2. Local Debates, International Partnerships: Garborg, Benzon, and Grieg’s Idea of Cosmopolitanism
- 3. From Songs to Psalms: Grieg’s Cosmopolitan Aesthetic
- 4. Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue
- 5. Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of Weary Men
- 6. In Search of Hybridity: MacDowell, Grainger, and the End of Anachronisms
- 7. The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity
- 8. Conclusion.