A Phenomenology of Musical Absorption
| Tác giả chính: | |
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| Tác giả của công ty: | |
| Tóm tắt: | XXII, 282 p. 11 illus., 2 illus. in color. text |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Phiên bản: | 1st ed. 2018. |
| Loạt: | New Directions in Philosophy and Cognitive Science,
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| Những chủ đề: | |
| Truy cập trực tuyến: | https://doi.org/10.1007/978-3-030-00659-4 |
| Định dạng: | Điện tử Sách |
Mục lục:
- Chapter 1. Introduction
- Part I: Meeting the Danish String Quartet
- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview
- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption
- Chapter 4. A Topography of Muscial Absorption
- Part II: Comparative Perspectives
- Chapter 5. Expertise, Mind Wandering, and Amnesia
- Chapter 6. Artistic and Aesthetic Experience
- Chapter 7. Flow
- Chapter 8. Dreaming and Sleeping
- Chapter 9. Schizophrenia and Ipseity Disturbances
- Part III. Phenomenological Underpinnings of the Musically Extended Mind
- Chapter 10. Performative Passivity
- Chapter 11. The Hive Mind: Playing Together
- Chapter 12.Conclusions.