Embodied Philosophy in Dance Gaga and Ohad Naharin's Movement Research /
| 主要作者: | |
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| 企業作者: | |
| 總結: | XVIII, 228 p. 10 illus. in color. text |
| 語言: | 英语 |
| 出版: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2016.
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| 版: | 1st ed. 2016. |
| 叢編: | Performance Philosophy,
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| 主題: | |
| 在線閱讀: | https://doi.org/10.1057/978-1-137-60186-5 |
| 格式: | 電子 圖書 |
書本目錄:
- Part I. Embodied Philosophy in Dance
- Chapter 1. Dance and Philosophy
- Chapter 2. Dance as Embodied Philosophy
- Chapter 3. Habitus, Embodied Knowledge and Physical Intelligence
- Chapter 4. Embodied Reflections
- Part II. The Sensual Emphasis of Gaga
- Chapter 5. “Float!”
- Chapter 6. Enacting Perception
- Chapter 7. Extending Perception
- Chapter 8. Dancing Metaphors
- Chapter 9. The Phenomenological Method of Gaga
- Part III. The Mental Emphasis of Gaga
- Chapter 10. “Connect Effort into Pleasure!”
- Chapter 11. The Challenge of a Perceptual Gap Between Body and Mind
- Chapter 12. The Involvement of Psychology and Physicality
- Chapter 13. Comprehending Emotions
- Chapter 14. Intentionality and the Aesthetic Will
- Part VI. Gaga
- Chapter 15. Multitasking Inquiries
- Chapter 16. Decision Making
- Chapter 17. The Intelligible Form
- Chapter 18. Rhythm
- Chapter 19. The Physical Practice of Intelligence
- Part V. The Moving Forms of Dancing Gaga
- Chapter 20. Bellus
- Chapter 21. The Dancing Body as Means of Expression
- Chapter 22. Understanding Expressions
- Chapter 23. Moving Forms of Dance.