Fight for walls: "patriotic graffiti" as a method of the public imagery formation by pro-Kremlin youth organizations in Russia
| Parent link: | SGEM. 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts: conference proceedings, Albena, Bulgariaм, Apr. 06-09, 2016.— , 2016 Bk. 4, vol. 1.— 2016.— [P. 283-290] |
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| Shrnutí: | Title screen This article is devoted to the study of the phenomenon of "patriotic graffiti" in the aspect of a new ideological public imagery formation; also the questions of expropriation tactics of street art and the term "graffiti" are considered."Patriotic graffiti" apparition caused great public and media response: media publications, online publications, stories and entire programs on TV, and the status of discussion on the social networks. At the same time, this scientific socio-cultural phenomenon was outside the scope of research interests. Also the image of street art as an independent people’s statements; murals as the most democratic form of retransmission and fast images; effective forms of representation of the image; popularity of street art on the Internet; the common use of the term "graffiti" in respect of all non-classical contemporary murals were considered. Режим доступа: по договору с организацией-держателем ресурса |
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2016
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| On-line přístup: | https://sgemsocial.org/ssgemlib/spip.php?article3556 |
| Médium: | Elektronický zdroj Kapitola |
| KOHA link: | https://koha.lib.tpu.ru/cgi-bin/koha/opac-detail.pl?biblionumber=656346 |
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| 200 | 1 | |a Fight for walls: "patriotic graffiti" as a method of the public imagery formation by pro-Kremlin youth organizations in Russia |f D. V. Galkin, E. A. Kirsanova, M. V. Netesova | |
| 203 | |a Text |c electronic | ||
| 300 | |a Title screen | ||
| 330 | |a This article is devoted to the study of the phenomenon of "patriotic graffiti" in the aspect of a new ideological public imagery formation; also the questions of expropriation tactics of street art and the term "graffiti" are considered."Patriotic graffiti" apparition caused great public and media response: media publications, online publications, stories and entire programs on TV, and the status of discussion on the social networks. At the same time, this scientific socio-cultural phenomenon was outside the scope of research interests. Also the image of street art as an independent people’s statements; murals as the most democratic form of retransmission and fast images; effective forms of representation of the image; popularity of street art on the Internet; the common use of the term "graffiti" in respect of all non-classical contemporary murals were considered. | ||
| 333 | |a Режим доступа: по договору с организацией-держателем ресурса | ||
| 461 | |t SGEM. 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts |o conference proceedings, Albena, Bulgariaм, Apr. 06-09, 2016 |d 2016 | ||
| 463 | |t Bk. 4, vol. 1 |v [P. 283-290] |d 2016 | ||
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| 701 | 1 | |a Kirsanova |b E. A. |g Ekaterina Anatoljevna | |
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