Fight for walls: "patriotic graffiti" as a method of the public imagery formation by pro-Kremlin youth organizations in Russia
| Parent link: | SGEM. 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts: conference proceedings, Albena, Bulgariaм, Apr. 06-09, 2016.— , 2016 Bk. 4, vol. 1.— 2016.— [P. 283-290] |
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| Summary: | Title screen This article is devoted to the study of the phenomenon of "patriotic graffiti" in the aspect of a new ideological public imagery formation; also the questions of expropriation tactics of street art and the term "graffiti" are considered."Patriotic graffiti" apparition caused great public and media response: media publications, online publications, stories and entire programs on TV, and the status of discussion on the social networks. At the same time, this scientific socio-cultural phenomenon was outside the scope of research interests. Also the image of street art as an independent people’s statements; murals as the most democratic form of retransmission and fast images; effective forms of representation of the image; popularity of street art on the Internet; the common use of the term "graffiti" in respect of all non-classical contemporary murals were considered. Режим доступа: по договору с организацией-держателем ресурса |
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2016
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| Online Access: | https://sgemsocial.org/ssgemlib/spip.php?article3556 |
| Format: | Electronic Book Chapter |
| KOHA link: | https://koha.lib.tpu.ru/cgi-bin/koha/opac-detail.pl?biblionumber=656346 |
| Summary: | Title screen This article is devoted to the study of the phenomenon of "patriotic graffiti" in the aspect of a new ideological public imagery formation; also the questions of expropriation tactics of street art and the term "graffiti" are considered."Patriotic graffiti" apparition caused great public and media response: media publications, online publications, stories and entire programs on TV, and the status of discussion on the social networks. At the same time, this scientific socio-cultural phenomenon was outside the scope of research interests. Also the image of street art as an independent people’s statements; murals as the most democratic form of retransmission and fast images; effective forms of representation of the image; popularity of street art on the Internet; the common use of the term "graffiti" in respect of all non-classical contemporary murals were considered. Режим доступа: по договору с организацией-держателем ресурса |
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