Experience of Visual Perception in the Design Education; Procedia - Social and Behavioral Sciences; Vol. 206 : Linguistic and Cultural Studies: Traditions and Innovations, LKTI

Bibliografische gegevens
Parent link:Procedia - Social and Behavioral Sciences
Vol. 206 : Linguistic and Cultural Studies: Traditions and Innovations, LKTI.— 2015.— [P. 365-368]
Coauteurs: Национальный исследовательский Томский политехнический университет (ТПУ) Институт кибернетики (ИК) Кафедра автоматизации и роботизации в машиностроении (АРМ), Национальный исследовательский Томский политехнический университет (ТПУ) Институт кибернетики (ИК) Кафедра оптимизации систем управления (ОСУ)
Andere auteurs: Kornienko M. Mikhail, Kukhta M. S. Maria Sergeevna, Fofanov O. B. Oleg Borisovich, Kukhta E. Evgeniy
Samenvatting:Title screen
Relevance of the paper is due to theoretical and practical necessity to study the peculiarities of design education. Modern designer shall, theoretically and methodologically, master the system of design engineering based on the laws affecting the form of product, methods of styling design and design quality analysis, basics of materials science and industrial design engineering. Design of industrial products shall draw upon historical, cultural, logistical, aesthetic and artistic foundations. The paper applies methods of cultural and historical analysis, comparative methods, methods of analysis and simulation of semiotic systems.
Authors, emphasizing training process integrity for design specialists, pay attention to the fact that in the modern urban world requirements to visual aesthetics are particularly important, ensuring videoecology of objects and environment, creating maximum emotional comfort. Ability to create emotional environment is due to form quality, generating peculiarities of psychological reactions as emotions. The study of form perception revealed the mechanism of creating emotional response associated with semantic capacity of design object and special features of its visual organization. Perception model of visual images in design was suggested, including recognition, comparison and dialogue processes. The findings are scientifically-based recommendations, tailored to visual perception and aimed at creating emotional comfort in design.
Режим доступа: по договору с организацией-держателем ресурса
Taal:Engels
Gepubliceerd in: 2015
Onderwerpen:
Online toegang:http://dx.doi.org/10.1016/j.sbspro.2015.10.066
http://earchive.tpu.ru/handle/11683/15265
Formaat: Elektronisch Hoofdstuk
KOHA link:https://koha.lib.tpu.ru/cgi-bin/koha/opac-detail.pl?biblionumber=644825

MARC

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200 1 |a Experience of Visual Perception in the Design Education  |f M. Kornienko [et al.] 
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320 |a [References: р. 368 (13 tit.)] 
330 |a Relevance of the paper is due to theoretical and practical necessity to study the peculiarities of design education. Modern designer shall, theoretically and methodologically, master the system of design engineering based on the laws affecting the form of product, methods of styling design and design quality analysis, basics of materials science and industrial design engineering. Design of industrial products shall draw upon historical, cultural, logistical, aesthetic and artistic foundations. The paper applies methods of cultural and historical analysis, comparative methods, methods of analysis and simulation of semiotic systems. 
330 |a Authors, emphasizing training process integrity for design specialists, pay attention to the fact that in the modern urban world requirements to visual aesthetics are particularly important, ensuring videoecology of objects and environment, creating maximum emotional comfort. Ability to create emotional environment is due to form quality, generating peculiarities of psychological reactions as emotions. The study of form perception revealed the mechanism of creating emotional response associated with semantic capacity of design object and special features of its visual organization. Perception model of visual images in design was suggested, including recognition, comparison and dialogue processes. The findings are scientifically-based recommendations, tailored to visual perception and aimed at creating emotional comfort in design. 
333 |a Режим доступа: по договору с организацией-держателем ресурса 
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701 1 |a Kornienko  |b M.  |g Mikhail 
701 1 |a Kukhta  |b M. S.  |c Specialist in the field of industrial design  |c Professor of Tomsk Polytechnic University, Doctor of philosophical sciences  |f 1963-  |g Maria Sergeevna  |3 (RuTPU)RU\TPU\pers\32999  |9 16844 
701 1 |a Fofanov  |b O. B.  |c Specialist in the field of informatics and computer technology  |c Associate Professor of Tomsk Polytechnic University, Candidate of technical sciences  |f 1949-  |g Oleg Borisovich  |3 (RuTPU)RU\TPU\pers\31686 
701 1 |a Kukhta  |b E.  |g Evgeniy 
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